{"id":2065,"date":"2024-11-09T19:47:38","date_gmt":"2024-11-09T19:47:38","guid":{"rendered":"http:\/\/jlacs-travesia.online\/2024\/11\/09\/special-issue-rethinking-obscenity-in-latin-america-abjection-art-and-performance\/"},"modified":"2024-11-09T19:52:07","modified_gmt":"2024-11-09T19:52:07","slug":"special-issue-rethinking-obscenity-in-latin-america-abjection-art-and-performance","status":"publish","type":"post","link":"http:\/\/jlacs-travesia.online\/pt-br\/2024\/11\/09\/special-issue-rethinking-obscenity-in-latin-america-abjection-art-and-performance\/","title":{"rendered":"Special issue: Rethinking Obscenity in Latin America: Abjection, Art, and Performance\u201d"},"content":{"rendered":"<p>We are pleased to announce the publication of our latest issue (33.2), <a href=\"https:\/\/www.tandfonline.com\/toc\/cjla20\/33\/2?nav=tocList\" target=\"_blank\" rel=\"noopener\">available here<\/a> and part of a double special issue on <em>Rethinking Obscenity in Latin America<\/em>:<\/p>\n<h4>Guest-edited by Javier Fern\u00e1ndez Galeano and Zeb Tortorici<\/h4>\n<hr \/>\n<h5><strong>Introduction: \u201cRethinking Obscenity in Latin America: Obscenity, Art, and Performance\u201d<\/strong><br \/>\nBy Javier Fern\u00e1ndez Galeano and Zeb Tortorici<br \/>\nFree access<\/h5>\n<h5><strong>&#8220;A Chola Sex Party: Anal and Concha Art&#8221;<\/strong><br \/>\nBy Olga Rodriguez-Ulloa<\/h5>\n<h5><strong>&#8220;La Bella Otero\u2019s Overdetermined Anality: Tales of Sexual Inversion in Early Twentieth-Century Buenos Aires&#8221;<\/strong><br \/>\nBy Mir Yarfitz<\/h5>\n<h5><strong>&#8220;108: Memory, Libido, and Obscenity between Paraguay and Brazil&#8221;<\/strong><br \/>\nBy Clara Cuevas, Cleiton Z\u00f3ia M\u00fcnchow, and Erwing Szokol<\/h5>\n<h5><strong>\u201c&#8217;Walking around naked sets back our struggle\u2019: Travesti Activism, Repression, and Public Space in Buenos Aires (1994\u20131998)&#8221;<\/strong><br \/>\nBy Ana G. Alvarez<\/h5>\n<h5><strong>&#8220;Decolonial Excesses: Racial and Sexual Dissidence in Johan Mijail\u2019s Amor vegetal&#8221;<\/strong><br \/>\nby Elena Valdez<\/h5>\n<h5><strong>&#8220;The Bisexual Erasure of Emiliano Zapata: Obscenity and Censorship in Postrevolutionary Mexico&#8221;<\/strong><br \/>\nBy Robert Franco<br \/>\nFree access<\/h5>\n<h5><strong>Roundtable\/Photo Essay with Archivo El Insulto.<\/strong><br \/>\nFree access<\/h5>\n<hr \/>\n<h5><strong>&#8220;The Insubordination of the Gaze: Marian Icon and Performance in the Mujeres Creando Collective&#8221;<\/strong><br \/>\nBy Carol Arcos-Herrera<\/h5>\n<hr \/>\n<h5><strong>&#8220;In Memory of Ana M. L\u00f3pez&#8221;<\/strong><br \/>\nBy Dolores Tierney<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>We are pleased to announce the publication of our latest issue (33.2), available here and part of a double special issue on Rethinking Obscenity in Latin America: Guest-edited by Javier Fern\u00e1ndez Galeano and Zeb Tortorici Introduction: \u201cRethinking Obscenity in Latin America: Obscenity, Art, and Performance\u201d By Javier Fern\u00e1ndez Galeano and Zeb Tortorici Free access &#8220;A Chola Sex Party: Anal and Concha Art&#8221; By Olga Rodriguez-Ulloa &#8220;La Bella Otero\u2019s Overdetermined Anality: Tales of Sexual Inversion in Early Twentieth-Century Buenos Aires&#8221; By Mir Yarfitz &#8220;108: Memory, Libido, and Obscenity between Paraguay and Brazil&#8221; By Clara Cuevas, Cleiton Z\u00f3ia M\u00fcnchow, and Erwing Szokol&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2050,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11,22],"tags":[],"class_list":["post-2065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-pt-br","category-noticias-pt-br"],"_links":{"self":[{"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/posts\/2065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/comments?post=2065"}],"version-history":[{"count":1,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/posts\/2065\/revisions"}],"predecessor-version":[{"id":2067,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/posts\/2065\/revisions\/2067"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/media\/2050"}],"wp:attachment":[{"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/media?parent=2065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/categories?post=2065"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jlacs-travesia.online\/pt-br\/wp-json\/wp\/v2\/tags?post=2065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}